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Expressive Timing from Cross-Performance and Audio-based Alignment Patterns: An Extended Case Study.

, and . ISMIR, page 519-524. University of Miami, (2011)

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ReproducedPapers.org: Openly teaching and structuring machine learning reproducibility., , , , , , , , , and 2 other author(s). CoRR, (2020)A personality-based adaptive system for visualizing classical music performances., , , , , and . MMSys, page 15:1-15:7. ACM, (2016)Comparative Analysis of Orchestral Performance Recordings: An Image-Based Approach., and . ISMIR, page 302-308. (2015)ReproducedPapers.org: Openly Teaching and Structuring Machine Learning Reproducibility., , , , , , , , , and 2 other author(s). RRPR, volume 12636 of Lecture Notes in Computer Science, page 3-11. Springer, (2021)Exploiting Instrument-wise Playing/Non-Playing Labels for Score Synchronization of Symphonic Music., , and . ISMIR, page 201-206. (2014)The Piano Music Companion., , , , , , and . ECAI, volume 263 of Frontiers in Artificial Intelligence and Applications, page 1221-1222. IOS Press, (2014)DUT-MMSR at MediaEval 2017: Predicting Media Interestingness Task., , , and . MediaEval, volume 1984 of CEUR Workshop Proceedings, CEUR-WS.org, (2017)Social Inclusion in Curated Contexts: Insights from Museum Practices., and . FAccT, page 300-309. ACM, (2022)Oracle Issues in Machine Learning and Where to Find Them., and . ICSE (Workshops), page 483-488. ACM, (2020)Read/Write Digital Libraries for Musicology., , , , , , and . DLfM, page 48-52. ACM, (2020)