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HEAR: Holistic Evaluation of Audio Representations., , , , , , , , , and 13 other author(s). NeurIPS (Competition and Demos), volume 176 of Proceedings of Machine Learning Research, page 125-145. PMLR, (2021)Description and Analysis of Novelties Introduced in DCASE Task 4 2022 on the Baseline System., , , , , and . DCASE, Tampere University, (2022)Sound Event Detection and Separation: A Benchmark on Desed Synthetic Soundscapes., , , , , , , and . ICASSP, page 840-844. IEEE, (2021)Sound Event Detection and Separation: a Benchmark on Desed Synthetic Soundscapes., , , , , , , and . CoRR, (2020)Audio Tagging with Noisy Labels and Minimal Supervision., , , , and . DCASE, page 69-73. (2019)Acoustic Scene Classification by Ensembling Gradient Boosting Machine and Convolutional Neural Networks., , , , , and . DCASE, page 37-41. (2017)Unsupervised Contrastive Learning of Sound Event Representations., , , , and . ICASSP, page 371-375. IEEE, (2021)Toward Interpretable Polyphonic Sound Event Detection with Attention Maps Based on Local Prototypes., , , , and . DCASE, page 50-54. (2021)Audiovisual Masked Autoencoders., , , , , and . ICCV, page 16098-16108. IEEE, (2023)What's all the Fuss about Free Universal Sound Separation Data?, , , , , , , , and . ICASSP, page 186-190. IEEE, (2021)