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Composing with Generative Systems in the Digital Audio Workstation 145-148.

I. Clester, и J. Freeman. IUI Workshops, том 3359 из CEUR Workshop Proceedings, стр. 145-148. CEUR-WS.org, (2023)

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Cecille Freeman

Beau Freeman

Ellis Freeman

Ian Jason

Barbara Freeman

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Validity and Fairness of an Automated Assessment of Creativity in Computational Music Remixing.S. Rahimi, J. Smith, E. Truesdell, A. Vinay, K. Boyer, B. Magerko, J. Freeman, и T. McKlin. AAGPW@AIED, том 3572 из CEUR Workshop Proceedings, стр. 36-44. CEUR-WS.org, (2023)massMobile -an Audience Participation Framework.N. Weitzner, J. Freeman, S. Garrett, и Y. Chen. NIME, nime.org, (2012)Real-Time Music Notation, Collaborative Improvisation, and Laptop Ensembles.S. Lee, J. Freeman, и A. Colella. NIME, nime.org, (2012)Developing Computational Thinking in Middle School Music Technology Classrooms.L. McCall, B. Allen, J. Freeman, S. Garrett, S. Grossman, J. Paz, D. Edwards, T. McKlin, и T. Lee. SIGCSE (2), стр. 1746-1747. ACM, (2024)Leveraging Prior Computing and Music Experience for Situational Interest Formation.T. McKlin, L. McCall, T. Lee, B. Magerko, M. Horn, и J. Freeman. SIGCSE, стр. 928-933. ACM, (2021)Grading at scale in earsketch.A. Sarwate, C. Brunch, J. Freeman, и S. Siva. L@S, стр. 50:1-50:4. ACM, (2018)Your Voice is Power: Integrating Computing, Music, Entrepreneurship, and Social Justice Learning.C. Delacoudray, S. Newton, M. Alemdar, S. Grossman, S. Garrett, J. Freeman, J. Wilson, H. Barbot, и R. Moore. RESPECT, стр. 1-2. IEEE, (2021)Mobile Networked Music Demonstration: Sequencer404.T. Thatcher, D. Jimison, J. Goetzinger, J. Freeman, и G. Weinberg. ICMC, Michigan Publishing, (2006)Graph theory: linking online musical creativity to concert hall performance.J. Freeman. Creativity & Cognition, стр. 251-252. ACM, (2007)Composing with Generative Systems in the Digital Audio Workstation 145-148.I. Clester, и J. Freeman. IUI Workshops, том 3359 из CEUR Workshop Proceedings, стр. 145-148. CEUR-WS.org, (2023)

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