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Examples of Using Amplitude Control Systems in Music Synthesis., и . ICMC, Michigan Publishing, (1998)Data driven identification and computer animation of bowed string model., , , , , и . ICMC, Michigan Publishing, (2001)Adaptive Beamforming and Particle Filtering., , , , , и . SPPRA, стр. 147-151. IASTED/ACTA Press, (2006)Mixed-reality learning in the art museum context., , , и . ACM Multimedia, стр. 965-968. ACM, (2008)Interaction and reflection via 3D path shape qualities in a mediated constructive learning environment., , , , , и . ACM Multimedia EMME Workshop, стр. 37-46. ACM, (2007)Unifying semantic and content-based approaches for retrieval of environmental sounds., , и . WASPAA, стр. 13-16. IEEE, (2009)Multi-channel audio segmentation for continuous observation and archival of large spaces., , и . ICASSP, стр. 237-240. IEEE, (2009)HandJabber: an enactive framework for collaborative creative expression., , , , , , и . Creativity & Cognition, стр. 395-396. ACM, (2009)Combining semantic, social, and acoustic similarity for retrieval of environmental sounds., , , и . ICASSP, стр. 2402-2405. IEEE, (2010)A Flexible Analysis-Synthesis Method for Transients., и . ICMC, Michigan Publishing, (2000)