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A multimodal probabilistic model for gesture-based control of sound synthesis., , and . ACM Multimedia, page 705-708. ACM, (2013)Interactive Soundscape Tabletop to Promote Immersive Sound Experiences for People Living With Dementia and Their Caregivers., , and . MuC, page 543-547. ACM, (2023)Innovative Computerbasierte Musikinterfaces (ICMI)., , , , , , , and . MuC (Workshopband), Gesellschaft für Informatik e.V., (2022)Playing the "MO" - Gestural Control and Re-Embodiment of Recorded Sound and Music., , , , , and . NIME, page 535-536. nime.org, (2011)Gestural Embodiment of Environmental Sounds: an Experimental Study., , , , , , and . NIME, page 144-148. nime.org, (2011)MnM: a Max/MSP mapping toolbox., , and . NIME, page 85-88. University of British Columbia, Media and Graphics Interdisciplinary Center (MAGIC), (2005)De-Mo: designing action-sound relationships with the mo interfaces., , , , , , , and . CHI Extended Abstracts, page 2907-2910. ACM, (2013)The jMax environment: an overview of new features., , , and . ICMC, Michigan Publishing, (2000)ESCHER-modeling and performing composed instruments in real-time., , and . SMC, page 1080-1084. IEEE, (1998)The Role of Sound Source Perception in Gestural Sound Description., , , , , and . ACM Trans. Appl. Percept., 11 (1): 1:1-1:19 (2014)