And the three-year-old at the picnic / said she wanted to play the violin / and I said, just like Joe Venuti / and she said, you’re a Joe Venuti / and I said, you’re a Joe Venuti / and she pulled a tuft of grass and said, / here's some Joe
Anstett glances, attempting his best alert, intelligent animal look, interested in project schedules, imagines being taxidermed, pelt propped up with sawdust and armature...
I walked on the banks of the tincan banana dock and sat down under the huge shade of a Southern Pacific locomotive to look at the sunset over the box house hills and cry.
This is a themed blog (poems about poetry) that will lead to a print anthology. Dan Waber invited five of his favorite poets to send him an ars poetica they'd written along with the names and email addresses of five other poets. He then invited those twen
The Bush administration / the people who chose / The Perfect Bacon / the game went on / the media company / The Ducks won / the Stooges brought / the tough bake-sale squares / the best place to learn [paraphrased]
Exhibition space of the Ontological Museum of the International Post-Dogmatist Group. The poetry on this site has been selected from 'CollagePoetry' postings.
Restraint, the central emotion of Bishop’s poetry, is only necessary when there is an overwhelming pressure towards expression – in just the same way as, according to T. S. Eliot, the extinction of personality is only possible when there is a personal
The literary journal Fence, which has published both emerging and established writers such as Annie Dillard and Rick Moody since 1998, is moving from New York City to the New York State Writers Institute at the University at Albany.