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Zooniverse: observing the world's largest citizen science platform.

, , and . WWW (Companion Volume), page 1049-1054. ACM, (2014)

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On hyperstructure and musical structure., , , , and . Hypertext, page 95-104. ACM, (2002)Digital Music Objects: Research Objects for Music., , , , , and . RO, (2018)A Toolkit for Live Annotation of Opera Performance: Experiences Capturing Wagner's Ring Cycle., , , , , , and . ISMIR, page 211-217. (2015)Capturing the workflows of music information retrieval for repeatability and reuse., , , , and . J. Intell. Inf. Syst., 41 (3): 435-459 (2013)Cyber risk at the edge: current and future trends on cyber risk analytics and artificial intelligence in the industrial internet of things and industry 4.0 supply chains., , , , , , , and . Cybersecur., 3 (1): 13 (2020)The Pipeline of Enrichment: Supporting Link Creation for Continuous Media., , , , , , and . OHS-7/SC-3/AH-3, volume 2266 of Lecture Notes in Computer Science, page 47-58. Springer, (2001)Observing Social Machines Part 2: How to Observe?, , , , and . WebSci, page 13:1-13:5. ACM, (2015)Hello cleveland! Linked data publication of live music archives., , and . WIAMIS, page 1-4. IEEE, (2013)At the Nexus of Data and Collections: New Affordances in the Age of Mass-Scale Digital Libraries., , , , , and . JCDL, page 313-314. ACM, (2018)MELD: A Linked Data Framework for Multimedia Access to Music Digital Libraries., , and . JCDL, page 434-435. IEEE, (2019)