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Symbolic and Sub-Symbolic Rules Systems for Real-Time Score Performance.

, , and . ICMC, Michigan Publishing, (1992)

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Adding Expressiveness to Musical Messages., , , and . ICMCS, Vol. 2, page 518-523. IEEE Computer Society, (1999)0-7695-0253-9.Expressive Morphing for Interactive Performance of Musical Scores., , , , and . WEDELMUSIC, page 116-122. IEEE Computer Society, (2001)Computer Music at University of Padova., , , and . ICMC, Michigan Publishing, (1978)Symbolic and Sub-Symbolic Rules Systems for Real-Time Score Performance., , and . ICMC, Michigan Publishing, (1992)A Model To Add Expressiveness To Automatic Musical Performance., , , and . ICMC, Michigan Publishing, (1998)Neural Networks vs. Rules System: Evaluation of Test of Automatic Performance., , , and . ICMC, Michigan Publishing, (1994)Centro Di Sonologia Computazionale C. S. C. University of Padova., , , and . ICMC, Michigan Publishing, (1984)Recognition of Musical Gestures in Known Pieces and in Improvisations., , , , and . Gesture Workshop, volume 2915 of Lecture Notes in Computer Science, page 497-508. Springer, (2003)Musical perspectives on composition, sonification and performace., , and . ICMC, Michigan Publishing, (2014)Real-Time Sound Hybridization., and . ICMC, Michigan Publishing, (1995)