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On hyperstructure and musical structure., , , , and . Hypertext, page 95-104. ACM, (2002)Hello cleveland! Linked data publication of live music archives., , and . WIAMIS, page 1-4. IEEE, (2013)The Pipeline of Enrichment: Supporting Link Creation for Continuous Media., , , , , , and . OHS-7/SC-3/AH-3, volume 2266 of Lecture Notes in Computer Science, page 47-58. Springer, (2001)Observing Social Machines Part 2: How to Observe?, , , , and . WebSci, page 13:1-13:5. ACM, (2015)At the Nexus of Data and Collections: New Affordances in the Age of Mass-Scale Digital Libraries., , , , , and . JCDL, page 313-314. ACM, (2018)Digital Music Objects: Research Objects for Music., , , , , and . RO, (2018)A Toolkit for Live Annotation of Opera Performance: Experiences Capturing Wagner's Ring Cycle., , , , , , and . ISMIR, page 211-217. (2015)Capturing the workflows of music information retrieval for repeatability and reuse., , , , and . J. Intell. Inf. Syst., 41 (3): 435-459 (2013)A suite of APIs for the management of research objects., , , , , and . ISWC (Developers Workshop), volume 1268 of CEUR Workshop Proceedings, page 43-48. CEUR-WS.org, (2014)Semantics for Music Researchers: How Country is my Country?, , , , , and . ISWC (Posters & Demos), volume 658 of CEUR Workshop Proceedings, CEUR-WS.org, (2010)