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Digital representations of tangible and intangible cultural assets provide an essential basis for research in the cultural heritage domain and are more and more present in the day-to-day work of scholars. Thereby, an ever-increasing variety of technologies and data types is being employed, such as 2D, 3D, audio, video, AR/VR, thermography or computer tomography.
Our overarching goal is to match the production and continuous enrichment of digital cultural heritage with the demands of researchers, GLAM experts and various other audiences. In close collaboration with the digitisation community, we seek to establish a strong network in order to facilitate a regular exchange between producers and users of digital materials. This will be complemented by open and modular services and tools for the capture and enrichment process of cultural heritage objects.
The provision of cCBT through the NHS could help some young people who need support for anxiety and depression to access the treatment they need more easily. This could be of particular benefit to young people who would not otherwise be able to access traditional face-to-face therapies or who would prefer something remote. However, this review makes it clear that the evidence base for cCBT is currently weak and that high-quality future research is needed, so caution needs to be taken by practitioners before recommending cCBT programs.
Intuitively, it makes sense for researchers to be investigating how effective digital mental health support is for a technology-savvy generation. Long waiting lists show that the need for more accessible interventions is there, but these findings indicate that current internet-delivered interventions may not be effective enough to meet this need.
A Revista NUPEM é uma publicação quadrimestral vinculada ao Programa de Pós-Graduação Interdisciplinar Sociedade e Desenvolvimento - PPGSeD da Universidade Estadual do Paraná – Câmpus de Campo Mourão, e recebe manuscritos em fluxo contínuo voltados para a área Sociais e Humanidades.
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Digital assets can have a life cycle...like other things. Here is how to make sure we stop pretending that dinosaur of an asset is still alive and how to make sure we do not make any digital assets extinct soon after we create or acquire them.
bulb Digital Portfolios started as a platform for students to show they’re more than a test score; it still is the simplest digital formative assessment tool on the market. And as the product has grown, bulb has turned into a global hub where users showcase their skills through beautiful, multimedia content on an incredibly easy-to-use platform.
E-Mails, Soziale Netzwerke, Cloud-Dienste: Im Netz bleiben viele Daten zurück, wenn jemand stirbt. Doch geregelt haben die wenigsten ihren digitalen Nachlass. Für die Erben beginnt oft eine Suche nach Konten, Zugangsdaten, Verträgen. Der BGH hat ihre Rechte gestärkt. Und es gibt Möglichkeiten vorzubeugen.
Dans les années 1970, à Genève, se constitue une galaxie de collectifs et mouvements contestataires. Dans le sillage des affiches de Mai 68, leurs membres dessinent, écrivent, impriment et collent sur les murs de la ville des appels à réfléchir et à manifester.
Le portail des collections numériques de l’UNIL donne accès à un patrimoine d’exception conservé par l’institution. A la croisée des arts et des sciences, les collections présentées brillent par leur diversité thématique et disciplinaire (archéologie, criminalistique, physique, géographie, œuvres d’art, etc.). Elles sont enrichies d’expositions virtuelles, proposées par des spécialistes des domaines concernés. Le portail sera complété par l’ajout régulier de collections inédites. Des milliers d’images sont d’ores et déjà accessibles en un clic, jetant une lumière nouvelle sur le passé et le présent de l’Université de Lausanne.
Die Bildsammlung von swisstopo ist ein einzigartiges Kulturgut und umfasst rund eine halbe Million Luftbilder, terrestrische Aufnahmen und Dokumentationsfotografien zur Tätigkeit des Amtes. Die Momentaufnahmen der Landschaft von den 1920er-Jahren bis in die heutige Zeit werden vielfältig genutzt. In den kommenden Jahren wird ein Massnahmenplan umgesetzt, der gewährleistet, dass die wertvollen Originale erhalten bleiben und besser zugänglich gemacht werden können.
The objective of this paper is to develop a composite index to characterize the intensity of digitalization in Canadian industries. Because of the ubiquitous presence of digitalization and businesses’ and individuals’ increasing reliance on digital products and services, it is important to measure digitalization to better understand its impact on the Canadian economy. This paper first adopts multidimensional metrics to measure the extent to which firms use digital inputs to produce goods and services, using data on information and communications technology (ICT) capital, the use of intermediate ICT goods and services, the digital workforce, and robot adoption. A composite index is then constructed from these multidimensional metrics through a principal component analysis. The final index shows that digital intensity in production improved continuously from 2000 to 2015 in the Canadian economy. While almost all industries have become more digitally intensive over time, digitalization tends to be uneven across Canadian industries. The information services; telecommunications; professional, scientific and technical services; and machinery, computer, electronic product and transportation equipment manufacturing industries are among the leaders in digital intensity. Their intensities were high at the beginning of the sample period and increased significantly over time. Conversely, agriculture, mining, construction, and most manufacturing and transportation industries are among the least digitally intensive sectors, starting out low and increasing slightly over time.
From e-books about participatory budgeting to case studies of successful citizen engagement initiatives, here's everything you need to get started with digital democracy.